Down and Dirty: Is it a set-up for the finale? Yes. Is it a
worthy addition to the franchise? Absolutely.
Director: Francis Lawrence
Big Names: Jennifer Lawrence, Josh Hutcherson, Liam
Hemsworth, Woody Harrelson, Philip Seymour Hoffman (RIP)
Why all the hate? Especially during the holidays.
A large portion of the critical reviews I’ve seen about the
latest Hunger Games installment refer to it as a ‘filibuster’ or ‘monetary
filler’ for the eventual finale due out November 2015. This of course suggests
that Mockingjay Part 1 does not have the legs to carry an enthralling story arc
– and while it has more drawn out instances of exposition than the previous
movies, this film stands on its own quite well.
Francis Lawrence returns to direct his second film of the
franchise after his wildly successful adaptation of Catching Fire. A wise
decision. The continuity felt from the get go of Mockingjay Part 1 allows the
viewer to slip right back into the environment, story, and emotion that define
the hallmark of this generation’s dystopian storytelling. That uninterrupted
flow is the single ingredient that awakens the viewer’s nostalgia after a
yearlong hiatus from Katniss’ butt-kicking sass. It is the seamless transition
from friendly banter to politico debate one can always count on at Thanksgiving
dinner – you know Aunt Carrie will bring the liberal hammer down, it’s a
welcome expectation.
That’s what this movie did. It provided the smelling salts
to reinvigorate our love for revolution and then it set out the mouthwatering
sample for what is to come. But that’s all it really needed to do. There’s no
reason to knock this film for executing plot set up in a meaningful way. This
iteration of Hunger Games was going to carry the weight of the story no matter
how the producers chose to slice it. By breaking Mockingjay into two films they
have allowed for vast swaths of space to develop characters that will
undoubtedly make or break the authenticity of the final movie. Francis Lawrence
definitely makes the most of this opportunity.
He develops Katniss’ pain like a sculptor. You get the
breadth of her sorrow in one fell swoop and then it is refined throughout the
film. Her agony is at first widespread, covering a multitude of issues - the struggle
of being the reluctant leader, the losses she experiences both at home and
abroad, and the brutal pain of love, unrequited and reciprocated alike. But it
eventually narrows, targeting Katniss’ deepest cuts (see: Peeta). The director
utilizes his Oscar-winning actress to illustrate the raw emotion and J-Law yet
again delivers as this tumultuous but driven version of Katniss Everdeen. Jennifer
Lawrence embraces the shift and embodies a woman of conviction. It is terrific
acting and there are even a few nods to her off-screen personality that make
the performance feel truly authentic. The viewer knows J-Law and it serves to
make Katniss even more accessible. We can empathize with her stress, anxiety,
and passion because it feels like the real emotion we’ve seen from her before.
Despite all of these components that come together in
Mockingjay Part 1 it is still a stepping stone for another (hopefully more
complete) film come next Thanksgiving.
But don’t let any critic tell you it’s not worth the viewing. The
characters alone will take you where you’re looking to go in Panem.
